Now, gentle reader, we come to the climax of Grant Morrison’s run on the main Batman title. He’s been seeding elements of this story since the first issue of this run. Does it read any better after having re-read the entirety of his run? Let’s find out.
- Batman R.I.P. – Midnight In The House Of Hurt
- And the opening line says volumes. “You’re WRONG! Batman And Robin will NEVER DIE!” The line has no context though, so I’m not really sure when it is, or who it’s responding to.
A nice introduction to Doctor Hurt, and the Club of Villains. Doctor Hurt is the doctor responsible for the three ‘replacement’ Batmen who recently troubled Gotham. The third of which claimed that he’s the devil.
A typical night in Gotham? Batman and Robin chasing down a wannabe psycho calling himself “The Green Vulture”.
Now here’s something I missed before – Honor Jackson, the homeless person who finds Bruce Wayne, and gives him the ‘Bat Radia’ is there to witness the end of this pursuit. The face is reflected in the Batmobile’s window. Is he really there, or is that in Bruce’s head?
In an interview, I think Morrison said he wanted more of a return to the 70’s/80's ‘love god’ Batman. Check.
The exposition between Robin and Alfred lays out most of the salient points of the last couple of story arcs. A real nod for folks reading this in trade.
An explanation that the Thogal ritual that Bruce underwent is a rehearsal, while living, of the experience of death. Thus allowing Batman to plan for death, and beyond it.
This invitation to the Danse Macabre is what really starts the plot moving forward.
Arkham, with all the doors open and a lot of blood. I’m not sure if that really dawned on me the first time I read this issue.
- Batman R.I.P. - Batman In The Underworld
I guess the lull in crime has left Bruce with plenty of time to ponder the mystery of The Black Glove. It probably doesn’t hurt that he’s starting to run into the henchmen of the Club of Villains.
John Mayhew is clearly connected to the Black Glove through the movie he made. I’m not sure how Bruce knows that Doctor Hurt figures in though.
Another deduction on Bruce’s part that I can’t quite follow. He suspects that the Black Glove may go back and involve people his parents knew. Mayhew’s movie was about a group of ultra-rich gamblers who corrupted and split up two lovers. Is that supposed to be about Thomas & Martha Wayne?
The opening panel of this page shows a roulette wheel, alternating black and red. I’m not sure if there’s further meaning besides Jezebel Jet (a black woman with red hair) of the colors, but they were also mentioned in “The Clown at Midnight” where the black ad red petals of flowers would combine to form a deadly toxin. Red and black was also an important theme in DC Universe #0, which replaced the final issue of Countdown.
Doctor Hurt reveals that he implanted a trigger phrase into Batman at some point while he was in his care. The whole point of the fight with Le Bossu’s henchman earlier was to expose Bruce to a drug that will make him more vulnerable to the trigger.
The big confrontation between the tabloid publisher and Gordon helps establish the possibility that Doctor Hurt might be Thomas Wayne, and that Bruce’s childhood might have screwed him up more than his parents’ death. It even alleges that Martha’s family suspect Thomas Wayne faked his death to kill Martha.
I can’t help but wonder if Bruce suspects that Jezebel is involved with The Black Glove. He even specifically says that he thinks this is the way this currently-hypothetical nemesis would work, undermining his belief in his mission and his faith in his cause.And Batman’s computer finally picks up what I noticed immediately when I started re-reading this run, all the ‘Zur-En-Arrh’ graffiti throughout Gotham. That’s the phrase that triggers his breakdown, moving us on to the next issue.
Reading this closer on the heels of the rest of the run has really helped me in noticing things. The first read through, I really had no idea who the Club of Villains was, and I’m not sure if I remembered who Doctor Hurt was. But now, I remember having caught reference to Caligula during the Club of Heroes arc, and I think someone mentioned Pierrot Lunaire as well. I can pick out most of the nemeses of the various members of the Club of Heroes now, I think.
- In the last issue, Batman commented that one of the black casebooks was missing.
Right off, we find out where it’s gone. Tim is paging through it, reading of
Bruce’s quest to understand the madness that he faces.
Bruce Wayne awakens in a pile of garbage belonging on the homeless Honor Jackson. But
Jackson claims he knows Bruce from somewhere, probably meaning his brief
appearance in the first issue of R.I.P.
As he comes to, Bruce begins to remember some of his encounter with Doctor Hurt. Of course, Hurt knowing the cave’s location and Bruce’s secret identity could just as easily be the result
of the experiment he as part of, or it could be that Hurt really is Thomas Wayne.
With Batman neutralized for the moment, the Club of Villains is targeting his associates. Caligula’s goons ran into Nightwing, while Pierrot Lunaire and Swagman tried to take out Robin. And then there’s the chick, but I don’t know if I ever saw a name for her.
Bruce joins Honor Jackson on an ‘odyssey’ across town, little knowing that the goal is to beg for money to buy liquor. Before leaving him, Jackson imparts him a gift, and some instruction.
Following Honor’s words, Bruce (still amnesiac) finds his way to Crime Alley, and a smack-dealer named Lone-Eye Lincoln.
Nightwing is apprehended by Le Bossu, and incarcerated at Arkham as Pierrot Lunaire.
Triumphant in the ruin of the Batcave, Doctor Hurt dons the Bat-man costume Thomas Wayne once wore to a costume party, furthering the notion that the two are the same.
Muttering to himself, Bruce sews a new Batman costume from brightly colored scraps of cloth. He declares himself to be the Batman of Zur-En Arrh, and the busted radio given to him by Honor Jackson (who could be a ghost or a hallucination) to be the Bat-Radia.
This was a crazy one, but it starts to make sense as the story progresses.
Batman RIP - Miracle On Crime Alley
Batman’s been transformed. Now wearing a motley of brightly colored rags, Batman’s searching out the members of the Club of Villains.
This new incarnation of Batman is either brilliant, insane, or both. He hears Gotham City itself speaking to him through its gargoyles. He sees how Gotham, and Crime Alley in particular are in reality a machine designed to create the Batman.
Now we get some exposition to let us know exactly where the Batman of Zur-En-Arrh came from. It’s an emergency backup personality Bruce created in case he fell victim to psychic attack.
Good to know that Robin’s still loose, and able to call in the cavalry.
I think we’re supposed to know that Bill-the-Cop is doomed as soon as he mentions having a little boy at home, and loving it. We need a red-shirt to illustrate how El Sombrero has booby-trapped Wayne Manor.
There are a lot of interpretations of this interplay between Doctor Hurt and Alfred. Is Hurt really Thomas Wayne? Is he just tormenting Alfred? Is he actually the Devil? If so, then the third Batman was his agent.
I love Batman’s speech to Caligula. He sees clear through him to the washed-up-never-was that he is.
I also think it’s brilliant that the Batman of Zur-En-Arrh is “what you get when you take Bruce out of the equation”.
Poor Jeremiah Arkham. He just can’t catch a break, can he? Or more to the point he catches too many… broken ribs, broken legs, etc.
The red and black roses return Just don’t let them mingle.And who else would be the one to deliver the coup de grace to Batman but the Joker?
Batman R.I.P. – The Thin White Duke of Death
Doctor Hurt sets the scene, not just for the arriving members of the Black Glove, but also recapping for the reader. The Black Glove is a society of the ultra-rich who gather once a year to wager on games of life or death.
Arkham Asylum is resplendent in shades of black and red.
Le Bossu provides his own backstory, as he begins the process of costuming that transforms him from Guy Dax into his hunchbacked alter-ego.
Batman chose the crazy colors for the Zur-En-Arrh costume with a purpose. The bright colors demonstrate confidence, presumably yielding a mental advantage. But Bat-Mite reveals that the Batman of Zur-En-Arrh was a short-term solution to the problem of psychological attack. Running at this intensity means that Bruce has limited time to overcome the Black Glove before he passes out from exhaustion.
I like Batman’s last moments with Bat-Mite. He asks if the Mite is a figment of his imagination, or a super-imp from the fifth dimension. Bat-Mite’s answer is that imagination IS the fifth dimension.
I love how the Joker scars Le Bossu. He’s had to listen to Dax drone on about how his ugliness was on the inside, so he gave it an outlet. And Le Bossu seems puzzled by it.
What’s meant to be a final confrontation between Batman and the Joker plays out pretty well. The titular ‘thin white duke of death’ is only going along with this to prove to Batman the depth of his madness. Bruce thought that a controlled experiment would give him the key to understanding the Joker’s mind. But there’s no reason behind his actions, and no experiment will make his actions make sense.
At this point, there’s still one thing that I don’t really grasp, and that’s the meaning behind the constant reference to black and red. The one explanation I’ve heard that makes any sense is that they point to Jezebel Jet, a black woman with red hair, as an indication that she’s part of the Black Glove. But that’s not satisfying to me, for some reason.
Batman R.I.P. – Hearts In Darkness
Coming to after his fight with the Joker, Batman finds himself back in his traditional costume, strapped into a straightjacket and buried alive in a coffin.
This flashback sequence helps to show you just how great Batman is. While undergoing the Thogal ritual, he found Dr. Hurt’s work on his consciousness and began preparing for the attack. This issue even says it first thing. “That’s the thing about Batman. Batman thinks of everything.”
I love how the narrative points out that there are, ultimately, a finite number of eventualities that a body can be threatened by and that Bruce has planned and practiced for all of them over the years. It lends plausibility to the notion that Batman has actually planned for this eventuality.
The Joker’s big speech to the Black Glove basically amounts to “I told you so”. When
money’s on he table, even the Joker knows better than to bet against Batman.
Talia and the League of Assassins are going to avenge Batman? That’s an interesting twist.
Here, at the end of things, we get the counterpoint to the story’s opening page. With a policeman his captive, Le Bossu prepares to go about his bloody work, declaring that even Batman and Robin are dead, and unable to help him.
This issue really is the pinnacle of Grant Morrison’s run on Batman. The remaining issues are more of a Final Crisis tie-in than anything else. But it brings in almost everything else he used in his run… Damian, Man-Bat Ninjas, and the Club of Heroes all play their parts in this final issue.
There’s one mystery left to ponder… the identity of Simon Hurt. The book itself puts forward a few ideas. Was he really Thomas Wayne? He certainly acted the part with Alfred. Was he Mangrove Pierce, the actor who starred in John Mayhew’s film “The Black Glove”? Or was he the devil, as others have said. I like the possibility that he’s Thomas Wayne, simply because it flies in the face of assumptions we make, that Bruce’s parents were good people.